![]() The main characters are so well drawn and beautifully played that we cannot help getting caught up in their daily struggles as well as the larger decision they face about whether to abandon their home for the uncertain prospect of new horizons. But their loving ties in the community make this an extremely difficult decision. The core family unit consists of Buddy, his older brother (Lewis McAskie), their mother (Caitríona Balfe) and their father (Jamie Dornan), who travels frequently to England for construction work, and who wants to move his family out of Northern Ireland for their safety. Most of the story is told through Buddy’s eyes, and young Hill is a marvelous camera subject. As far as he knows, his Protestant family has always lived side by side with Catholic neighbors, but this August morning forces him to see the world in a different way. Our protagonist, 9-year-old Buddy (Jude Hill), tries to fathom what is happening to disrupt his life. Set in 1969 during the height of the conflicts between Protestants and Catholics, the feature mainly steers clear of politics to focus on family drama instead.įilmed in black-and-white with a few bursts of color, the picture opens with a quiet domestic tableau that suddenly explodes in violence. With Belfast, Kenneth Branagh shifts gears rewardingly from his Agatha Christie adaptations to a far more personal film about his childhood in Northern Ireland. TOP AWARDS AND NOMS TIFF audience award, National Board of Review top film and best supporting actor (Hinds) BELFASTĬAST Jude Hill, Jamie Dornan, Caitríona Balfe, Judi Dench, Ciarán Hinds I just wish there was more of a sense of the director serving the subject rather than making the subject serve him. Anyone curious about the mechanics of a pioneering sitcom will be entertained by Being the Ricardos, and there’s no denying that the performances offer much to savor. ![]() All four do standout work, with sturdy backup from Tony Hale, Alia Shawkat and Jake Lacy as the three writers room fixtures struggling to pull together an episode amid constant disruptions.īeing the Ricardos feels like a project Sorkin has shaped to fit his interests rather than one organically rooted there, and that assiduous molding drains its emotional charge. Simmons and Nina Arianda as actors William Frawley and Vivian Vance, who played the Ricardos’ best friends and neighbors, Fred and Ethel Mertz, on TV. Producers Guild Awards: Mary Parent to Receive Selznick Honorįavoring deep-dive characterization over physical resemblance or mimicry, the performances of Nicole Kidman and Javier Bardem as golden-age TV’s best-loved couple can’t be faulted. ![]() From the walk-and-talks to the smug swipes at almost everyone in positions of power and influence to the patronizing reminders of mid-century gender inequality, the hand of the writer-director seldom goes unnoticed. #Getting over it with bennett foddy secret water easter gegg professionalBut this chronicle of a fraught week in the production of CBS’ phenomenally popular 1950s sitcom I Love Lucy, and the personal and professional lives of its married stars, Lucille Ball and Desi Arnaz, arguably is as much about Aaron Sorkin as his celebrated subjects. Hollywood adores few things more than a Hollywood story, so there should be no shortage of folks nostalgic for bygone studio days, ready to eat up Being the Ricardos. ![]()
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